History

Election Time and Art by Jeannine Cook

Listening to the vitriol of the American Presidential campaign from overseas, it sounded pretty extraordinary. Now that I am back in the United States, I am saddened to hear the tones of stress and angst in many peoples' voices as they talk during these last days of the campaign. My reaction is to wonder how and if people can take refuge in the beauties of nature, of art, of music, dance and other forms of art. Some form of balance is always necessary, even when the stakes are so high for the future of this country and, indeed, the world.

Read More

Celebrating Women - Roman Style by Jeannine Cook

It seems that every single exhibition to which one goes is a new source of fascination - a good reason, I have decided, to bestir oneself and get to different shows. "Women of Rome", from the Louvre Collections, is just such an example. On exhibit in Palma de Mallorca, Spain, at the Caixa Forum until 9th October, it examines the images of women portrayed in Roman times.

Read More

Drawing Trees by Jeannine Cook

Trees have always played a very important role in my life, ever since I learned to love all the diversity of tropical trees in East Africa.  Baobabs, flame trees, jacarandas, grevilleas, mvule or African teak, thorn trees, and on and on.  I was taught that all these trees were absolutely vital, for habitat, to help prevent erosion, promote moisture retention, enrich the soil and generally to enhance the world for allother species!  In other words, trees are worthy of deep respect and merit great care. Artists have been some of the greatest admirers of trees. From early times, artists have drawn them, as portraits or in preparatory studies for paintings.

Read More

The Old and the New, Religion or Art by Jeannine Cook

Every time you step into a museum, something new and fascinating swims into your consciousness. The magic happened again yesterday as I was in the most interesting British Museum exhibition, Sunken Cities, Egypt's Lost Worlds. Presenting amazing artifacts recovered from on-going underwater archeological work in the re-located sunken ports of Thonis-Heracleion and Canopus at the mouth of the Nile, the exhibition tells of the new insights into life in Egypt during the last four hundred years or so BC.

Read More

Art and a Sense of Perspective on Events by Jeannine Cook

Since I share many Europeans' profound shock and dismay about the Brexit vote in now what is becoming rapidly "Little England",  I found myself thinking back to a wonderful series of carvings I had seen the evening before. They helped me regain a sense of perspective and reminded me that down the ages, every country, especially here in Europe, has gone through so many upheavals and shocks. I was exploring the wonderful little Burgundian village, Montréal, near Avallon.

Read More

Thinking of the French landings anniversary by Jeannine Cook

As the West remembers D-Day today on its 65th anniversary, my mind goes back to many earlier years along the Normandy and Brittany beaches and cliffs. As a young woman, I spent many hours in those impressive and eloquent cemeteries that spoke of such sacrifice.

It is heartwarming, however, to see reminders that even today, there is spontaneous gratitude in France, not just on 6th June. When I was in Brittany last October as Artist in Residence with Les Amis de la Grande Vigne in Dinan, I was drawing at the dramatic headland facing the English Channel called Pointe du Grouin.

Pointe du Grouin, Cancale - inks., Jeannine Cook artist

Pointe du Grouin, Cancale - inks., Jeannine Cook artist

It is north of Dinan and round the corner, going west, from lovely Cancale, home of such succulent oysters. While I was drawing in the biting wind, my husband was exploring the concrete fortifications and bunkers that remains from the German occupation. Inside, there was scrawled on the wall, "6 juin 44, merci" - "6th June, 1944, thank you". Simple, but telling.

Germn Bunker north of Cancale (Rundle Cook photographer)

Germn Bunker north of Cancale (Rundle Cook photographer)

While I was drawing, an elderly, distinguished-looking French lady came up to talk to me. After a long and delightful conversation (despite my watching the light disappear from what I drawing with dismay!!), her husband joined us. He told me of his work with the SAS for the British, remaining in France after 1940, because the British deemed him of more help in France than outside. Both Churchill and General De Gaulle decorated him for his valour after the war. Yet, as I stood up to bid him and his charming wife goodbye, it was he, the wartime hero, who thanked me formally and in most moving terms, for what the British - and Americans - did to save France.