When art meets embroidery in a dark, complex historical tale of Southern France and takes five thousand hours to tell the story, this implies passion, skill, dedication and a deep sense of our need, in today’s world, not to indulge in such destruction. It is an amazing feat of story-telling.Read More
Serendipity led to St. Peter’s Church in tiny Moutiers-en-Puisaye, in north-west Burgundy. There, 12th century (and later) frescoes in red and yellow ocre from nearby mines are a delight to enjoy in this cool, beautiful Romanesque church.Read More
Medieval and Renaissance tiles from the Champagne-Aube regions of France tell a great deal about early French society. The wonderful tile collection at the Musée des beaux-arts or the Musée Saint Loup, in Troyes allows one to peep into earlier worlds. Even though this world was underfoot!Read More
Camille Claudel lived in Nogent sur Seine as a teenager, and from there, she was launched into her career as a sculptor, her talent carrying her to Auguste Rodin’s studio and into another complex world. The recently-opened Museum in Nogent sur Seine holds an important number of her sculptures, and offers a fascinating glimpse into the world of late 19th and early 20th century French sculptors.Read More
Olive trees are an integral part of the Mediterranean landscape, and they have been a recurrent theme in many artists' work. Sacred trees since early Greek times, they are astonishing in inspiration, as well as generous in their fruit and oil. No wonder artists love to celebrate these astonishing and often very ancient trees.Read More
Friend of many of the prominent Impressionist painters, as well of being in Edouard Manet's circle, artist Norbert Goeneutte was a discovery for me when I saw one of his paintings recently at the National Gallery in London. His career choices were interesting.Read More
The exhibition, "The Hidden Cézanne; From Sketchbook to Canvas" is still on until September 24th, 2017, at the Kunstmuseum Basel, Switzerland. Cézanne's drawings, kept very private during his lifetime, tell of his questing, learning, thought processes in creating art or just recording for inspiration much later on. It reminds us all that drawing is a pathway to many ways of analysing, understanding and forging an artistic identity that is unique.Read More
Light footsteps flying down the spacious stairway, sunlight flooding through the big windows, laughter and a welcome soon sealed with a glass of wine: my stay at Hotel Sainte Valière began deliciously.
I soon learned that this gracious house, one of the main homes built in this small hilltop village during the 19th century wealthy heyday of wine culture in the Languedoc Roussillon area of southern France, was originally called a “winegrower’s folly”. The Cayla family knew how to make a home of gracious proportions, and today’s guests at Eloise Caleo’s Artist Residency are the lucky beneficiaries. The family lives on the top floor, with wonderful views out over the Minervois area and the green, bountiful vineyards, and on the middle floor are three spacious rooms and private bathrooms for the residents. Meals, if you chose to take them with the family, are out on the terrace or in a front room warmed by a wonderful fire framed by a local marble fireplace. Needless to say, the meals are seriously delicious.
My two-week residency flashed past but it was the perfect place to get down to working really hard. I wanted to complete two big silverpoint drawings for an upcoming exhibition and this was the ideal situation simply to push through and finish them in dogged fashion. My quiet and privacy were respected delightfully.
So many enticing trips, nonetheless, beckoned. Sainte Valière is in bounteous wine-growing country, a world punctuated by blue mountain ranges, dwarfed – one has to admit – by the snow-capped Pyrenees peaks floating in the distance to the south west. Lovely golden-stone villages all have their own “caves” or wine-growers where wine-tasting is offered, plane tree avenues shade and wind along roads that invite the explorer. The Canal du Midi, serene and winding in stately fashion though the vineyards and past small towns that have known considerable wealth from the canal transport and commerce in the past, is now bringing new economic activity to the area. Biking, boating, small restaurants along the water – so many attractions to delight, and all close enough to hand to Sainte Valière that an artist can slip off for a while to change gears from creating to celebrating life in France.
Another wonderful side trip from Sainte Valière is the Abbey of Fontfroide, a mighty Cistercian twelfth century monastery that was restored and reinvigorated at the turn of the 20th century by Gustave Fayet. Art lovers know his name as a major late 19th century collector of Gauguin and other contemporary artists. He was a wine grower from the area, an artist himself, painting and creating lovely ceramics and carpets. He was also an experimenter in the astonishing stained glass windows that he and a master glazier, Richard Burghstal , created for the church and dormitory at Fontfroide.
Not only is the abbey itself beautiful, with its rose garden and hillside gardens framing it as it nestles the forest-clad valley in the Corbières hills, but its library hides another gem. Gustave Fayet commissioned Odilon Redon to paint two huge canvases, each of three panels, in the vast stately library above the cloisters. Night and Day, they are considered his ultimate masterpiece. Complex, highly allusive and full of symbols, they are a symphony of colour and lyricism. A special guided visit to see them is well worth the effort; in truth, they are so many-layered that one could see them innumerable times and see something fresh each time.
Narbonne and Carcassonne are other visits well worth making as excursions from Sainte Valière. But – remember –Hôtel Sainte Valière is an artist’s residency! So, ideally, the creative juices should flow too and the side trips can be the rewards. I certainly found that to be the case. As I rolled my two big silverpoint drawings in a tube to pack and take home, I felt I was packing far more than art. The two weeks were a gift of gracious living, fascinating regional beauty and, best of all, the formation of new and delightful friendships.
In Part 3 of Plein Air art - Looking Back, I follow the development of plein air art during the late 18th and early 19th centuries in Europe as so many artists paved the way for present-day interpretations of nature and the outdoors.Read More
Whilst I sit drawing in the vineyards around beautiful, historic Evora in Portugal's Alentejo region, I am constantly aware of the myriad birds flitting from one perch to another, down the ground, up into the cork oaks edging the vineyard and off somewhere else. What impresses me is their wonderful camouflage, especially during the winter season. Unless they move, they are virtually invisible. Perhaps I have been paying their aspect closer attention than usual because I have just been reading about Lucien-Victor Guirand de Scévola, a French artist and soldier fighting the Germans during the First World War.Read More