Celebrating Women - Roman Style by Jeannine Cook

It seems that every single exhibition to which one goes is a new source of fascination - a good reason, I have decided, to bestir oneself and get to different shows. "Women of Rome", from the Louvre Collections, is just such an example. On exhibit in Palma de Mallorca, Spain, at the Caixa Forum until 9th October, it examines the images of women portrayed in Roman times.

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Georgia O'Keeffe - Drawings by Jeannine Cook

When I recently saw the big Georgia O'Keeffe exhibition at the Tate Modern in London, I was rather disappointed. It seemed disparate, with a huge range in quality of her paintings, and the overall lighting was, I found, strangely cold and uninviting. Nonetheless, as always, there were marvellous gems. Predictably, for me, most of these special pieces were drawings done at various stages by Georgia O'Keeffe. It is always so interesting and important, I find, to see other people's drawings and theirdifferent approaches to creating a drawing: not only the actual materials used to make the marks, the size and presentation, but also the content, the emotions, the impact. Of course, being a drawing, each can potentially be much more direct and fresh, more unvarnished in honesty.

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New Worlds: Spirit Drawings of Georgiana Houghton by Jeannine Cook

How many times do you go to an exhibition, especially in England, and end up talking to practically every other person in the room whilst looking at art?  Not too often, I suspect!  But that is exactly what happened as I went around a small and remarkable exhibition, "Georgiana Houghton: Spirit Drawings" at the Courtauld Institute of Art.  Each of us was so astonished and fascinated that we all talked to each other at one point or another, standing in front of a drawing, all of us marvelling at these pieces.

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Drawing Trees by Jeannine Cook

Trees have always played a very important role in my life, ever since I learned to love all the diversity of tropical trees in East Africa.  Baobabs, flame trees, jacarandas, grevilleas, mvule or African teak, thorn trees, and on and on.  I was taught that all these trees were absolutely vital, for habitat, to help prevent erosion, promote moisture retention, enrich the soil and generally to enhance the world for allother species!  In other words, trees are worthy of deep respect and merit great care. Artists have been some of the greatest admirers of trees. From early times, artists have drawn them, as portraits or in preparatory studies for paintings.

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Painters' Paintings by Jeannine Cook

There is a really fascinating exhibition currently on display at the National Gallery in London:Painters' Paintings: from Freud to Van Dyck. The seed for this show was apparently the donation to the National Gallery of Lucien Freud's Italian Woman by way of the Acceptance-in-Lieu programme after Freud's death. Its arrival prompted the Gallery to investigate how many artworks in its possession had belonged to artists down the ages.  The result of this inventory is this wonderful, interesting exhibition.

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When the Subject chooses the Artist... by Jeannine Cook

For a long time, I have found that in many instances, what I draw is seemingly dictated to me by happenstance. So when I read a quote from Maggie Hambling, one of Britain's leading figurative artists, about subjects choosing her, it resonated! She said, "I believe the subject chooses the artist, not vice versa, and that subject must then be in charge during the act of drawing in order for the truth to be found. Eye and hand attempt to discover and produce those precise marks which will recreate what the heart feels. The challenge is to touch the subject, with all the desire of a lover."

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The Old and the New, Religion or Art by Jeannine Cook

Every time you step into a museum, something new and fascinating swims into your consciousness. The magic happened again yesterday as I was in the most interesting British Museum exhibition, Sunken Cities, Egypt's Lost Worlds. Presenting amazing artifacts recovered from on-going underwater archeological work in the re-located sunken ports of Thonis-Heracleion and Canopus at the mouth of the Nile, the exhibition tells of the new insights into life in Egypt during the last four hundred years or so BC.

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When Art suddenly appears by Jeannine Cook

It is always fascinating to learn of how and when people become artists.  It can be from early childhood, or even late in life - think Grand Ma Moses. Whatever the timing, it is always wonderful if that turn towards art is indeed so deep that the resultant art not only fulfills the artist but also enriches us all as viewers. I happened on an example of a young Parisian, a musician, who took up ceramics at the age of 24 and within four years, is producing amazing work.  I was at a large, summer exhibition's opening at the Contemporary Arts Centre atthe Château de Tanlay in Burgundy, "Hommage à Bénin".

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Art and a Sense of Perspective on Events by Jeannine Cook

Since I share many Europeans' profound shock and dismay about the Brexit vote in now what is becoming rapidly "Little England",  I found myself thinking back to a wonderful series of carvings I had seen the evening before. They helped me regain a sense of perspective and reminded me that down the ages, every country, especially here in Europe, has gone through so many upheavals and shocks. I was exploring the wonderful little Burgundian village, Montréal, near Avallon.

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