Some while ago, I was fortunate enough to inherit a painting I had always loved in my family home. A coastal scene with a wonderful foreground frieze of golden gorse, it had always delighted me with its luminously expansive feel. I had been told that it was painted from the veranda of my family's home in Albany, Western Australia, but that was all I knew.
One day, I decided to start investigating to see what I could learn about the work. I copied onto paper the almost illegible signature, and eventually started working on Google, trying out whatever I could decipher.
Ellis Rowan travelled several times to Western Australia, following in the footsteps of her much admired flower painter role model, Marianne North, who travelled the world to paint flower species during the 19th century, finally endowing Kew Gardens with a gallery for her wonderful works. It was thus natural for Ellis Rowan to meet my great grandmother, a community leader in Western Australia and a flower lover. They possibly got on well and I can imagine the scene of Ellis Rowan settling down on the veranda at Hillside, the Hassell home in Albany, to paint the view out to King George Sound. Her skill in painting was considerable, especially given that she often used gouache, which is quick drying and often difficult as a medium. She also used watercolours and oils.
Birds and flowers, of preference tropical, colourful and exotic, were Ellis Rowan's favourite subject matter, and many of her paintings in the National Library in Australia show her skills. She was prolific, and consequently, there is a marvellous diversity in her work. These are but a tiny sample of her flower paintings.